Boss Single Pedals AC3, AW3, BD2, BF3,
CE5, CH1, CS3, DD3, DD6, DS1, DS2, FBM1, FDR1, FZ5, GE7, ML2, MT2, NS2, OD3,
OS2, PW10, RC2, TU2, BCB60, MD2, ODB3, OC3, PH3, RV5, SD1, TR2
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| Boss's renowned line of compact pedals began in 1977
with the release of three pedals: an overdrive pedal (OD-1), a phaser pedal
(PH-1) and a parametric equalizer called the Spectrum (SP-1).
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The now famous Boss DS-1 was released the next year,
in 1978. Also released in this year is the T Wah (TW-1) pedal.
Their first compact chorus pedal (CE-2) came the next year 1979, and their
first flanger pedal (BF-2) the next 1980.
In 1983 Boss broke new ground with the release of the DD-2 Digital Delay,
the first mass produced digital delay in a compact pedal format.
In 1987 Boss released nine new pedals, including the Turbo Distortion
(DS-2). The Metal Zone (MT-2) was released in 1991.
The Heavy Metal (HM-2) distortion pedal was an integral part of the guitar
sound of many styles of heavy metal music ever since. Their big selling point
has always been reliability - many compare their metal cases to a tank. As well
as Boss's compact pedals sporting heavy-duty metal cases, they are colour coded
in distinctive, bright colours. The pedals all share the same 'footprint',
making it easy for guitarists to develop pedal-boards for the standard size.
Boss introduced COSM, Roland's proprietary version of digital modeling
technology, into their AC-3 Acoustic Simulator pedal in 2006.
Boss has since released several pedals using COSM, including the FBM-1 '59
Fender Bassman pedal and FDR-1 '65 Fender Deluxe Reverb pedal, introduced at
the Winter NAMM show in January 2007.
All Boss compact pedals use a "buffered bypass" type of silent
footswitching utilizing Field Effect Transistors (FETs) that produce no clicks
or pops. Most guitarists feel that although buffered bypass switching is not as
transparent as "true bypass" switching, the Boss version of buffered
bypass is one of the best of its type causing very little signal degradation,
while helping the signal to go through long pedal lines and cables without
losing its fidelity.
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Boss AC3 Acoustic Simulator Pedal
Details; Advanced Electric-To-Acoustic Guitar Modelling How many times have you
been on stage or in the studio with your electric guitar, and wished that
you’d brought an acoustic along?
For musicians who travel light, hauling an extra guitar to the gig isn’t
always the most attractive option. BOSS AC-3 to the rescue! This new-generation
compact pedal employs COSM® modelling technology to transform any electric
guitar into a variety of beautiful acoustic guitars. - BOSS’s most
advanced acoustic-guitar modelling in a compact pedal -
Four simulation modes: Standard, Jumbo, Enhanced, and Piezo-equipped -
Top and Body knobs for fine-tuning the virtual-body resonance -
Built-in reverb, optimized for acoustic-guitar simulation
Advanced Modelling BOSS’s COSM Acoustic-Modelling technology is
beautifully showcased in this small but powerful pedal, which simulates an
acoustic guitar much more precisely and realistically than previous technology
allowed.
Derived from BOSS top-of-the-line AD-8, the AC-3 simulates the sound of an
acoustic guitar with incredible precision.
Four simulation modes are provided: Standard, Jumbo, Enhanced, and
Piezo-equipped; the latter supplies that famous “cut through the mix”
direct piezo sound.
Previous compact acoustic-guitar modelling-pedals were promising, but now the
bar has been raised with AC-3. Fine Control Top and Body controls are provided,
which allow you to shape the characteristics of the four acoustic models.
Create the perfect acoustic-guitar sound quickly and easily with simple knob
twists.
Reverb Included Add depth and sweetness to the sound with the AC-3’s built
in digital reverb. It’s like getting two pedals in one!
Versatile Output Paths Two sets of outputs are provided, allowing you to
connect the AC-3 to a standard guitar amp and to a direct input device such as
a PA, or a recorder. |
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Boss AW3 Dynamic Wah Pedal
Details; Dynamic Wah Compact pedal creates a variety of classic "wah"
effects. "Humanizer" effect creates human voice-type sounds.
Dedicated Bass input for processing bass guitar.
EXP Pedal Mode creates Pedal Wah effects using optional expression pedal.
Tempo can be set for Pedal control.
A "Talking" Pedal The AW-3 Dynamic Wah is the first compact wah pedal
to incorporate human voice-type sounds through a new "Humanizer"
Mode.
Of course, you can also choose from standard up-and-down wah effects, plus a
Tempo Mode and resonant synth-like Sharp Mode. Endless Possibilities Choose
from both fixed and auto wah settings using the Manual control or pedal for
tempo input.
By connecting an optional expression pedal, the AW-3 can also be used for Pedal
Wah effects. A dedicated Bass input permits direct processing of bass guitars.
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Boss BD2 Blues Driver Pedal
;Blues Driver
* Classic "blues" guitar tones with outstanding tube amp simulation
* Warm distortion and overdrive
* Responds to nuance and volume changes
* AC adaptor or 9V battery operation
* Five year warranty
The BD-2 delivers the creamy, yet crunchy sound associated with great blues
guitar. Instant access to the kind of warm overdrive and emotive distortion
usually reserved for 30-year-old tube amps. |
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Boss BF3 Flanger Pedal
Details; A Legendary Flanging Pedal is Reborn Building on the 20-year legacy of
the famous BOSS BF-2, the new BF-3 Flanger pedal gives guitarists and bassists
an updated version of the classic BOSS flanger with the thickest stereo
flanging sounds ever.
Two new modes (Ultra and Gate/Pan) create flanging with incredible
depth—even Slicer-type effects and sounds that seem to “swirl”
around the listener.
An instant classic. Features BOSS’ best flanging effects in a compact
pedal New Ultra and Gate/Pan modes for ultra-fat flanging with very low noise
Momentary mode turns flanging on instantly
Tap tempo adjustable via pedal Independent Guitar and Bass inputs and stereo
outputs |
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Boss CE5 Chorus Ensemble Pedal
Details; Chorus Ensemble The CE-5 chorus covers a wide frequency range and
features high- and low-cut filters.
This lets you create any kind of chorus effect from a mild, natural chorus to
the clear and penetrating stereo chorus effect popular in contemporary music.
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Boss CH1 Super Chorus Pedal
Details; SUPER Chorus The CH-1 SUPER Chorus features sharp sounds with clear
highs, and a stereo effect that varies depending on the spacing between the
left and right speakers.
The EQ function allows you to adjust the tonality from soft, mellow sounds to
sharp, cutting sounds ideal for rhythm guitar. |
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Boss CS3 Compressor Sustain Pedal
Details; Compression Sustainer The CS-3 compresses high-input signals while
boosting low-input signals, giving you smooth sustain without degrading the
quality of the original sound.
A range of effects from gentle compression to squeezed sounds is at your
command. Designed for outstanding low-noise performance, the CS-3 also provides
EQ for precise sonic control.
For a mellow sound: this setting is ideal for solos in ballads or mellow songs.
Add a chorus effect for even more depth. For chord work: this setting balances
the volume of each string for smooth chord accompaniment. For thick, rich
sounds: add Chorus and Delay after the Sustain effect. This setting is good
when playing sustaining chords. |
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Boss DD3 Digital Delay Pedal
Details; Digital Delay with Hold function and 12.5ms to 800ms range
This compact pedal provides a digital delay effect with outstanding quality
equivalent to that of a dedicated rack-mount delay unit. In addition to three
delay time modes, a DELAY TIME control is furnished, giving you speedy, precise
adjustment of delay time continuously within a range of 12.5ms to 800ms.
The HOLD function repeats the delay indefinitely. |
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Boss DD6 Stereo Digital Delay Pedal
Essential Delay and Reverb-Now in Stereo |
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Boss DS1 Distortion Pedal
Details; Distortion The DS-1 provides a harder distortion effect for guitar and
keyboard sounds.
Instead of toneless, fuzzy distortion, the DS-1 faithfully reproduces all the
subtle nuances of your playing dynamics, from whisper-quiet to screaming
loud.
The onboard TONE control allows you to tailor the overall sound to your liking.
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Boss DS2 Turbo Distortion Pedal
Details; The DS-2 features twin TURBO modes.
TURBO Mode I produces warm and mellow distortion with flat frequency
response.
TURBO Mode II provides biting distortion with a mid-range boost that's great
for leads.
The built-in remote jack allows you to connect an external footswitch such as
the FS-5L for instant, hands-free switching between modes. |
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Boss FBM1 Fender Bassman Pedal
Details; Fender amps of the ’50s and ’60s are beloved and coveted by
guitarists around the world. Thanks to BOSS’ technology and tone know-how,
the new FBM-1 brings the natural, fat, rich, bright tone of the Fender Bassman
to a BOSS pedal.
In conjunction with Fender, the new BOSS FBM-1 recreate the legendary tone of
1959 Fender Bassman.
Features include the same controls on the original Bassman: Presence, Treble,
Mid, and Bass EQ controls.
The FBM-1 also functions perfectly as a “pre-gain pedal” placed
before an already overdriven amp to add the tone character of the Bassman.
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Boss FDR1 Fender Deluxe Reverb Pedal
Details; The second in the new Legend Series is the FDR-1, based on the Fender
1965-era Deluxe Reverb — a coveted tube amp known for its natural
touch-responsive and distinctive snappy overdriven sound.
In conjunction with Fender, BOSS designed this stompbox to recreate the
legendary tone of the 1965 Fender Deluxe Reverb amp.
Features include the same controls on the original Deluxe Reverb; Level, Gain,
Treble, Bass, Vibrato, and Reverb.
The FDR-1 also functions perfectly as a “pre-gain pedal” placed
before an already overdriven amp to add the tone character of the Deluxe Reverb
Recreates the legendary tone of the 1965 Fender Deluxe Reverb guitar amp Level,
Gain, Treble, Bass, Vibrato, and Reverb controls Road-tough BOSS metal
construction Perfect pre-gain pedal for adding or retaining Fender tone color
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Boss FZ5 Fuzz Distortion Pedal
Details; The FZ-5 is a modern pedal built for the modern guitarist, but the
sounds you can get from the FZ-5 are pure retro.
Looking back at the glorious rock sounds of the ’60s and ’70s, the
FZ-5 recreates its vintage fuzz through BOSS state-of-the-art COSM ®
technology. Recall the fuzz-filled flavors of classic pedals such as the
Maestro FZ-1A, Fuzz Face, and Octavia pedals, and kick ’em into overdrive
with the FZ-5’s Boost knob.
BOSS proprietary COSM technology allows guitar players to recreate classic fuzz
BOOST control for more aggressive tone.
The FZ-5 is the perfect weapon for players wanting to beef up their rigs with
classic retro fuzz artillery. Vintage sounds inspired by famous fuzz pedals of
the ’60s and ’70s Uses advanced COSM technology to recreate classic
fuzz BOOST control for more aggressive tone Road-tough BOSS metal construction
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Boss GE7 7-Band Graphic Equaliser Pedal
Details; The GE-7 has seven bands ranging from 100 Hz to 6.4 kHz, ideal for
guitar sounds, with boost/cut of +/- 15dB per band. This lets you completely
control your sound and eliminate unwanted feedback, particularly when connected
after a distortion effect. |
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Boss ML-2 Metal Core Distortion Pedal
Details; With its extreme gain, the ML-2 is the most potent and heavy
distortion pedal ever created by BOSS.
It easily delivers massive distortion and gain with heavy lows for playing Nu
Metal, Grind Core, Industrial, Hard Core, or any genre that requires crushing
sound.
The ML-2’s ferocious and biting tone will complement and cut through any
blast beats your rhythm section can create. Ultra-heavy distortion with
sharp-edged attack for crushing metal riffs LOW control for heavy, low
frequency sound a la 7-string guitar or dropped tuning HIGH control for
screaming, metallic tone
Road-tough BOSS metal construction |
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Boss MT2 Metal Zone
Details; Metal Zone Equipped with a dual gain circuit, the MT-2 provides
super-long sustain and heavy mids and lows like a stack of overdriven amps.
With three-band EQ, a wide range of distortion textures is at your command.
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Boss NS2 Noise Suppressor Pedal
Details; Eliminate unwanted noise and hum without altering your tone. A unique
noise detection circuit preserves the natural attack and envelope, leaving your
playing and dynamics intact. |
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Boss OD3 Overdrive Pedal
Details; Over Drive Newly developed Dual-Stage Overdrive Circuit offers a level
of sustain and compression unmatched by any overdrive pedal in history.
Dramatically increased full bass response and improved dynamics yield a
"bigger" sound than any previous BOSS overdrive PedalDynamic,
non-muffled tones reminiscent of classic overdriven "stack" amps.
Straightforward Drive, Tone and Level controls.
A New Level of Rich, Dynamic Overdrive from the Company that Started it
All!
In 1977, BOSS introduced the now-legendary OD-1~the world's first compact
overdrive pedal for guitarists. The rich, warm tones that this stompbox
produced immediately set it apart from the harsh distortion boxes that had come
before it. On the 20th anniversary of BOSS compact pedals, we proudly introduce
the OD-3 OverDrive, giving guitarists a greatly expanded range of smooth
overdrive tones and improved response while staying true to the original. |
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Boss OS2 Overdrive / Distortion
Details; The OS-2 gives you a choice of overdrive or distortion or lets you
combine both - all in a single compact pedal.
This integration gives you more options than using serially connected units,
and provides hard distortion that maintains the subtle nuances of single-coil
guitar pickups. |
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Boss PW10 V-Wah Pedal
Details; A Wah Pedal for the 21st Century
The amazing BOSS PW-10 V-Wah is likely to be the last wah pedal
you’ll ever need or want—to buy.
This first-of-its-kind programmable modeling wah gives you instant access to
six classic and modern wah pedal sounds, as well as all-new “Double
Resonance”, “Uni-V” and “Voice” sounds never found in
a wah pedal before! Plus the V-Wah features onboard overdrive/booster effects,
three digital memories for storing your favorite sounds, noise-free infrared
operation and more.
Features World’s first COSM® modeling wah pedal, with 6 classic and
modern wah pedal models Noise-free operation with advanced infrared pedal
detection 8 onboard Overdrive/Distortion effects to perfectly complement the
wah sounds New “Voice” mode simulates “talking” vowel
sounds New “Double Resonance” mode creates analog synth-type sounds
“Uni-V” effect produces vintage swirling rotary sounds 3 digital
memories for saving customized wah sounds for instant recall Wah Range knob
allows users to customize the filtering range instantly
A Modeling Wah Pedal With the new V-Wah, BOSS has taken its considerable
digital modeling know-how and recreated some of the most popular wah pedal
sounds of all time. These COSM models include “CBY-Wah” (the classic
wah sound), “VO-Wah” (the British wah sound), “MO-Wah” (a
popular new-school wah sound), and “Uni-V” (a vintage swirling rotary
effect).
Each of these is a stunning simulation of the original, quickly accessed with
the turn of a knob. Advanced New Features Digital memories and infrared sensors
aren’t the first things that come to mind when you think about wah pedals,
but that’s exactly what sets the V-Wah apart.
Thanks to its infrared sensors, this pedal offers smooth, noise-free operation,
has no “click” sound when it’s turned on—and never needs to
be cleaned or have parts replaced. Once you’ve tweaked your wah sound to
perfection using the “Type,” “Wah Range,” and
“Drive” knobs, simply save it to one of the PW-10’s three
digital memories for instant recall with the heel pedal switch.
Onboard Overdrive/Distortion Since many of the best wah sounds include a
healthy dose of overdrive, the V-Wah includes eight different types of built-in
overdrive. These include BOSS classics like the OD-1 OverDrive, OD-2 Turbo
OverDrive, MT-2 Metal Zone®, DS-1 Distortion, BD-2 Blues OverDrive, as well
as “Muff Fuzz,” “Guv Dist” and “Booster”
modes.
Just dial in the amount you want with the “Drive” knob.
“Talking” Wah Sounds and More The V-Wah’s “Voice” mode
can produce a wide variety of “talking” wah sounds—just sweep
the pedal through the different vowel sounds and make this pedal talk! Rounded
out with an “Advanced” mode with a huge filter range, and a
“Bass” mode designed for the frequencies of bass guitar, there’s
never been a wah pedal quite like this.
New “Double Resonance” Mode The PW-10 doesn’t just do wah; it
also creates analog synth-like sounds via a newly developed “Double
Resonance” mode. Simply use the pedal to sweep the filter and get fat
synth sounds by adding the PW-10’s onboard distortion or fuzz. You can
also use modulation effects like delay, chorus and reverb for an even greater
variety of cool synth sounds. |
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Boss RC2 Loop Station Pedal
Details; Mini Loop Station with Big Features
No company creates Loop Stations like BOSS. Already in heavy demand around the
world are the medium-sized BOSS RC-20XL and the deluxe, extra-wide RC-50. Now
comes an ultra-compact member of the RC family, the RC-2.
House in a compact-pedal case, the RC-2 puts a surprising amount of features in
a small stompbox.
- Up to 16 minutes of record time
- Loop Quantize for easy loop-phrase recording
- Realistic Guide-Tone drum patterns built in
- Easy, logical overdubbing and navigation
- Undo / Redo function
- 11 phrases can be stored and recalled
- AUX input to capture phrases from external audio device
- External pedal input Record, Layer, Loop, & Store
The RC-2 can record and store up to 16 mono minutes of audio at a time, either
from your own instrument or other external input devices, such as MP3 players /
recorders.
Each of your layered loop creations can be stored to one of 11 internal patch
preset locations.
Feature Rich It records, layers, and loops, but the RC-2 also provides a wealth
of other handy and powerful features, such as a jam-along Rhythm Guide, Auto
Start, Tap Tempo, Loop Quantize, and Undo / Redo.
Friendly Operation In traditional BOSS fashion, the RC-2 benefits from a clean
and friendly user interface. As powerful as this little Loop Station is, it's a
dream to operate. Thanks to its clearly labeled buttons and knobs, the RC-2
puts everything directly under your fingertips, with no hidden menus or
commands to impede the creative process.
Pedalboard Ready Thousands of guitarists rely on BOSS’s ultra convenient
BCB-series pedalboards for organizing their effects pedals. Due to its standard
compact-pedal shape and size, the RC-2 fits perfectly alongside other BOSS
pedals. Great for fast setup and convenient transportation.
Meet the Family
Thanks to the RC-2, there’s now a BOSS Loop Station for every size and
budget. With the super-deluxe RC-50 at the top of the line, and the twin-size
RC-20XL in the middle of the range, the RC-2 represents the most compact and
affordable Loop Station. |
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Boss TU2 Chromatic Tuner Pedal
Details; BOSS TU-Series tuner accuracy in a convenient stompbox design ( 4
memory settings )
Mute/Bypass select for silent tuning with a single stomp.
11-point LED indicators and new "stream" meter display tuning
discrepancy via speed and direction of LED's (speed of LED movement gets slower
as pitch becomes more accurate).
7-segment LED displays string and note names; easily visible on dark stages.
Seven easy tuning modes include Chromatic, Guitar Regular, Guitar Flat, Guitar
Double Flat, Bass Regular, Bass Flat, Bass Double Flat.
Tuning mode setting and display style choice stored in memory
Adjustable reference pitch from 438 to 445Hz.
Footswitchable Tuner Off mode preserves battery life by disabling LED's.
The World's Most Convenient Stage Tuner The BOSS TU-2 Chromatic Tuner gives
performing guitarists and bassists exactly what they're after:
BOSS tuning accuracy in a convenient, ultra-reliable stompbox design.
Thanks to its 7-segment LED which displays note name and a bright 11-point LED
indicator which indicates tuning discrepancy, the TU-2 will always keep you in
tune-even on the darkest of stages. Ensuring complete accuracy, the TU-2 even
goes a step further than other stage tuners by including a unique
"stream" meter which slows LED movement as a note's pitch becomes
more accurate (LED movement stops once tuning is accurate).
The TU-2 offers a total of seven tuning modes-Chromatic, Guitar Regular, Guitar
Flat, Guitar Double Flat, Bass Regular, Bass Flat, and Bass Double Flat-which
can be selected and easily stored in memory along with its display
settings.
A selectable Mute/Bypass instantly permits silent tuning with a single stomp,
while the footswitchable Tuner Off mode preserves battery life when not in use.
For performing guitarists and bassists looking to keep their instruments in
tune quickly and reliably, there's no better solution than the TU-2. |
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Boss BCB60 Guitar Effects Pedal Board
Details; The BOSS BCB-60 Pedal Board is a convenient way to set up and
transport all your compact effects.
The unique padded interior can be customized to fit a range of gear, while a
convenient AC adaptor supplies power for up to seven devices.
Features
• Lightweight pedal board for transporting a range of compact pedals and
effects
• Padded interior can be customized to fit anything from a compact pedal
to Twin Pedal • Exterior made of tough, molded resin designed to withstand
heavy impact
• Onboard AC adaptor for powering up to 7 devices; includes all cabling
Customizable Design Adapts to Your Rig No matter what kind of pedals you have,
the BCB-60 can store them.
The customizable interior comes with three foam inserts pre-cut to hold your
favorite BOSS gear, plus a spare insert that can be cut to fit almost any
effect—even from other manufacturers.
Create the ultimate pedal board using compact pedals, Twin Pedals, a tuner or
even a V-Wah®.
Got Power? The BCB-60 does. In-fact, the onboard AC adaptor is almost like a
mini electrical generator, giving you up to 1,000mA of power, or the equivalent
of five PSA-Series adaptors. Now you can run up to seven devices right from the
pedal board. With the BCB-60, there has never been a more convenient way to
organize and transport your gear.
Pedals are for DISPLAY PURPOSES only and not included with the BCB-60! |
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Boss MD-2 Mega Distortion Pedal
Details; The MD-2 Mega Distortion takes the bottom-heavy distortion sounds
heard in today's new-school metal and pushes it to the extreme.
The secret is a special dual-stage distortion circuit with an added gain
boost-plus new Bottom and Tone controls-for crushing distortion with massive
low end. Take your distortion into the future with the MD-2.
Produces extreme, low-end distortion for modern metal and hard rock Gain Boost
circuit creates huge distortion and sustain regardless of level New Bottom
control for bottom-heavy distortion matched to 7-string guitars
Tone control adjusts balance between high and low frequencies |
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Boss ODB-3 Bass Overdrive Pedal
Details; An overdrive effect designed to cover the entire frequency range of
bass guitars, including 5-string basses. Overdriven sounds can be blended with
dry bass signal for maximum clarity and punch. |
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Boss OC3 Super Octave Pedal
Details; The BOSS OC-3 Super Octave gives guitarists high-quality octave
effects with a single stomp. Three modes are provided, including a new
Polyphonic Octave mode, a Drive mode with distortion, and the original OC-2
mode. The versatile OC-3 also has separate inputs for both guitar and bass.
World’s first compact pedal with true Polyphonic Octave effects New Drive
mode adds distortion to octave notes for a fatter, more aggressive tone
Includes the original OC-2 mode, capable of producing notes one and two octaves
down Poly Octave effect adjustable to play within a specific note range Bass
input for adapting octave sound to bass guitars |
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Boss PH3 Phase Shifter Pedal
Details; The BOSS PH-3 Phase Shifter pedal provides a wealth of vintage and
modern phasing effects, including new Rise and Fall modes for unique,
unidirectional phasing. Syncing these phasing effects is as simple as tapping
the pedal to the desired tempo. Compact pedal with versatile vintage and modern
BOSS phasing effects New Rise and Fall modes create unidirectional phasing
sounds Includes multi-stage phaser sounds with selectable stages Tap tempo sync
of phasing effects Optional EV-5 Expression Pedal permits realtime control
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Boss PSA240 Power Supply
Details; The PSA 240 lets you power an individual BOSS pedal or one of the BOSS
multi effects units. 9v |
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Boss RV5 Digital Reverb Pedal
Details; The RV-5 Digital Reverb offers six of BOSS’ best reverbs in an
all-new stereo effects pedal. New reverbs include convincing spring reverb
emulation and a high-quality gate reverb, plus an all-new Modulate mode for
spacious detuned reverb sounds. Compact pedal with stereo input/output for use
with other stereo effects High-quality reverb modes on par with rackmount
processors New Spring reverb emulation offers realistic spring reverb sounds
New Gate reverb derived from high-end Roland studio gear Modulate mode detunes
the reverb sound for added spaciousness |
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Boss SD1 Super Overdrive Pedal
Details; The SD-1 produces the warm, smooth distortion of an overdriven tube
amplifier while maintaining the subtle nuances of your picking technique. BOSS'
unique asymmetric overdrive circuitry delivers a genuine overdrive effect for a
classic guitar sound. A Tone control is also provided for precise tonal
adjustment. |
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Boss SYB-5 Enhanced Bass Synthesizer Pedal Details; A
Fatter, Funkier Pedal for Bassists The BOSS SYB-3 was the world’s first
bass synthesizer to be packed into a compact pedal, and it found favor with
experimentalists and tone afficiandos alike. Today, the next-generation
bass-synth pedal has arrived —the SYB-5. Utilizing the latest in DSP
technology, the SYB-5 faithfully reproduces the fat and sharp sound
characteristics of classic analog synthesizers. 11 DSP variations of Saw,
Square, and Pulse synth waves Control filter cutoff and LFO rate via EV-5
Expression Pedal (sold separately) Enhanced Wave Shape Mode provides sharper
sounds Hold notes with the onboard pedal and jam over the top Enhanced Sound
With the Latest DSP All of the 11 internal synth sounds have been markedly
refined and enhanced to produce a fatter, more cutting sound than ever. The
sounds are built on variations of three oscillator Waves (Saw, Square, Pulse)
and filters that modulate according to the envelope and LFO changes you apply.
You won’t believe how much synth-bass beef can come from such a small
pedal. Enhanced Playability Via External Control An external pedal input jack
has been added to the SYB-5 for connecting an EV-5 Expression Pedal (sold
separately), which allows you to control filter cutoff and LFO rate in real
time with your foot. In Modes 1-9 you can use the SYB-5’s onboard pedal to
hold a note while playing a bass phrase over it. Time for a bass solo? You bet!
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Boss TR2 Tremolo Pedal
Details; The BOSS TR-2 Tremolo is designed to provide guitarists with classic
tremolo effects in an easy-to-use compact pedal. Dedicated "Wave,"
"Rate," and "Depth" knobs provide a multitude of effect
possibilities. Provides guitarists with high-quality vintage tremolo effects in
an easy-to-use compact pedal Dedicated "Wave," "Rate" and
"Depth" knobs allow for precise effect tailoring "Rate"
control allows for higher speed adjustment than BOSS' classic PN-2
"Wave" control alters LFO waveform from triangle to square
"Depth" control determines the strength of the effect |
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*Specifications and features are subject to change without notice. |